is a partner, with William Drenttel, in Winterhouse, a design studio in Northwest Connecticut. Their work focuses on publishing and editorial development; new media; and cultural, educational and literary institutions. Recent clients include The Poetry Foundation, Nextbook, New England Journal of Medicine
, the U.S. State Department, Norman Rockwell Museum, Yale Law School, New York University School of Journalism, University of Chicago Press and the National Design Awards.
Previously Adjunct Professor at New York University's graduate program in Interactive Telecommunications, Helfand is currently Senior Critic at Yale School of Art and is the author of several books, including Screen: Essays on Graphic Design, New Media and Visual Culture
(2001) and Reinventing the Wheel
(2002), both published by Princeton Architectural Press. She has also written Paul Rand: American Modernist
(Winterhouse, 1998). She has lectured at the AIGA National Biennial Conference, Cooper-Hewitt National Design Museum, Walker Art Center, Columbia University School of Journalism, the Annenberg School of Public Policy, and the Netherlands Design Institute. She received her B.A. in architectural theory and her M.F.A. in graphic design, both from Yale University.
, a founding editor of Design Observer, is an award-winning graphic designer and writer and a former contributing editor and columnist for Print, Communications Arts
magazines. A member of the Alliance Graphique Internationale
and a recent laureate of the Art Director's Hall of Fame, Helfand received her B.A. and her M.F.A. from Yale University where she has taught since 1994.
Deathiquette: A Design Problem
What does it mean to mourn in the modern world?
Scrapbooks: An American History
Yale University Press, 2008
More Books >>
Design Observer Essays
Howard Paine: 1929–2014
Remembering Howard Paine, National Geographic art director and stamp designer extraordinaire
Typography is, of course, her lingua franca:
and who better than to write this book than Louise Fili?
To Thine Own Selfie Be True
Photographing oneself has become a singular pastime, an instantly rewarding yet indisputably time-sucking activity poised somewhere between narcotic and sport.
For Paul Rand, a modern mark was a simple mark, and the secret to making things last lay in keeping them simple.
A Day for Fathers
As a child, I was always perplexed by Father's Day and Mother’s Day. Why, I wondered, wasn’t there a Children’s Day?
DESIGN OBSERVER ESSAY ARCHIVE
Jessica Helfand on Brevity
Our Shopping Lists, Our Selves
Ezra Winter Project: Chapter Twelve
Ezra Winter Project: Chapter Eleven
Ezra Winter Project: Chapter Ten
Ezra Winter Project: Chapter Nine
Bill Moggridge 1943-2012
Ezra Winter Project: Chapter Eight
Ezra Winter Project: Chapter Seven
Ezra Winter Project: Chapter Six
Ezra Winter Project: Chapter Five
Ezra Winter Project: Chapter Four
Ezra Winter Project: Chapter Three
Audrey Real Helfand: Designer Manquée
Ezra Winter Project: Chapter Two
Yoshiko Sato 1960-2012
Ezra Winter Project: Chapter One
Late Summer Reading
On the Shoulders of Midgets: A Conversation About Reality TV
For Sale: The Earliest Modern Studio in America
The Look of Freedom
The Public Face of Disgrace
Meet Our Intern: Paul Rand!
Mothers Day Special: Baby, It’s You!
The Royal Tweet
Complete Essay Archive >>